Friday, 30 September 2011
Print Exhibition
Heroes and Villains
LARGE FORMAT WOODCUT EXHIBITION
8 artists, one theme, 11 days, 32’ x 4’ of wood, some beer, some ink, and a garden roller.
Commences Wednesday 28th Sept.
Woodblocks will be printed outside Limerick Printmakers on Sunday 9th Oct. at 2p.m.
All are welcome to this event
Exhibition continues until Saturday
Oct. 23rd
Sunday, 25 September 2011
Etching on card
PRINTMAKING
Etching
Etching on card: I liked the idea of etching on to an existing image because it took away the importance of the image and let me concentrate on making marks instead. I found some postcards created by the Kirwan weavers in my local shop.
Tools: Using an etching needle, darning needle, pen (biro) & pencil I etched along lines of the image on the card.
Paper: Watercolour paper or good quality heavy paper is used to print the image . The watercolour paper sometimes comes in a block form and it was difficult to tear off.
Solution: Place a metal ruler in the centre at the spin area of the block and gently place the ruler under one page, go around the page with the ruler gently lifting the paper up to un glue it. Go around all four sides the same and the paper should come of the block in one piece with no tears.
Preparing the paper for printing on: I placed the paper in a water bath for 10 minutes then I took it out and placed it between sheets of newspapers so the excess water was soaked up before printing, I left it between the newspaper for another 10 minutes.
Inking up the card: Next I inked up the card in one colour (red). I placed the printing ink on a glass plate, I got a rag wrapped tightly in tape an dabbed the ink onto the card making sure all the marks were covered by the ink. Then using folded up newspaper and holding it flat on to the card I gently rubbed the card to remove the excess ink, leaving the ink in the etched marks.
Printing the card: I used a small etching press to print the card
I placed news print on the bottom of the plate, placed my inked up card on the news print (making sure to put the newsprint and card far enough up the plate towards the roller so when it goes through the press I am able to lift the paper without it being stuck underneath the roller (I did this in my first attempt and ended up having to roll the plate back and the image was blurred.
Once the newsprint and card are on the press I get my paper and place over the card, trying to centre the paper on to the card to produce an even image on the paper.
Etched print on card
I then started to look at the image I had created and began to think about the way the original design dissected the soft fabrics from the plates and pottery lamp stand, the scarves from the flowers etc.. and I began to think about the divisions in the home by rooms i.e kitchen, living room, bedroom. That led me on to the dysfunctional family, disassociation, isolation, division, lack of community.
It seems farfetched to believe that from a few lines dividing images on a card led me to see all the above, but it was the combination of the household and personal items that took me on the journey.
So I started a new card with the intension of cutting up the sections and rearranging them.
See the results below:
Etching
Etching on card: I liked the idea of etching on to an existing image because it took away the importance of the image and let me concentrate on making marks instead. I found some postcards created by the Kirwan weavers in my local shop.
Tools: Using an etching needle, darning needle, pen (biro) & pencil I etched along lines of the image on the card.
Paper: Watercolour paper or good quality heavy paper is used to print the image . The watercolour paper sometimes comes in a block form and it was difficult to tear off.
Solution: Place a metal ruler in the centre at the spin area of the block and gently place the ruler under one page, go around the page with the ruler gently lifting the paper up to un glue it. Go around all four sides the same and the paper should come of the block in one piece with no tears.
Preparing the paper for printing on: I placed the paper in a water bath for 10 minutes then I took it out and placed it between sheets of newspapers so the excess water was soaked up before printing, I left it between the newspaper for another 10 minutes.
Inking up the card: Next I inked up the card in one colour (red). I placed the printing ink on a glass plate, I got a rag wrapped tightly in tape an dabbed the ink onto the card making sure all the marks were covered by the ink. Then using folded up newspaper and holding it flat on to the card I gently rubbed the card to remove the excess ink, leaving the ink in the etched marks.
Printing the card: I used a small etching press to print the card
I placed news print on the bottom of the plate, placed my inked up card on the news print (making sure to put the newsprint and card far enough up the plate towards the roller so when it goes through the press I am able to lift the paper without it being stuck underneath the roller (I did this in my first attempt and ended up having to roll the plate back and the image was blurred.
Once the newsprint and card are on the press I get my paper and place over the card, trying to centre the paper on to the card to produce an even image on the paper.
Etched print on card
I then started to look at the image I had created and began to think about the way the original design dissected the soft fabrics from the plates and pottery lamp stand, the scarves from the flowers etc.. and I began to think about the divisions in the home by rooms i.e kitchen, living room, bedroom. That led me on to the dysfunctional family, disassociation, isolation, division, lack of community.
It seems farfetched to believe that from a few lines dividing images on a card led me to see all the above, but it was the combination of the household and personal items that took me on the journey.
So I started a new card with the intension of cutting up the sections and rearranging them.
See the results below:
Wednesday, 21 September 2011
Contemporary printmakers - Donald Farnsworth
Donald Farnsworth - digital image over laid on printed chapters of Charles Darwin's "Origins of Species"
Monday, 19 September 2011
Exhibition at the County Museum in Ennis from 12th September to 1st October 2011 of CWA creative arts
Gortlomáin ICA
Exhibits at
the Foyer of the County Museum, Ennis
from 12th September - 1st October 2011
The Irish Countrywomen's Association from its instigation encouraged in women the love of learning and the enthusiasm for the improvement of their life skills. Members learn from each other and also use tutors to that end. Art, Craft, Needlework, Cookery were and still are among these. In addition to all the activities in local Guilds around the country the ICA has its own College at An Grianán which, in keeping with modern times, offers courses among which are to be found computer skills, photography, health studies, music, yoga, creative arts and many more.
Gortlomáin Guild, established in 1912, has for the past three years run a weekly art workshop which is open to the local community at their cottage in Barefield near Ennis. This is a perfect venue for anyone wanting to swap painting techniques and have a chat in a creative atmosphere. One of the aims was to have an exhibition of paintings by members with a percentage of the proceeds of any sales going to a local charity. This exhibition will take place at the County Museum in Ennis from 12th September to 1st October 2011. Further information will be available at the exhibition.
The Guild wishes to thank Clare Co Council Arts Office for its support in this venture.
Exhibits at
the Foyer of the County Museum, Ennis
from 12th September - 1st October 2011
The Irish Countrywomen's Association from its instigation encouraged in women the love of learning and the enthusiasm for the improvement of their life skills. Members learn from each other and also use tutors to that end. Art, Craft, Needlework, Cookery were and still are among these. In addition to all the activities in local Guilds around the country the ICA has its own College at An Grianán which, in keeping with modern times, offers courses among which are to be found computer skills, photography, health studies, music, yoga, creative arts and many more.
Gortlomáin Guild, established in 1912, has for the past three years run a weekly art workshop which is open to the local community at their cottage in Barefield near Ennis. This is a perfect venue for anyone wanting to swap painting techniques and have a chat in a creative atmosphere. One of the aims was to have an exhibition of paintings by members with a percentage of the proceeds of any sales going to a local charity. This exhibition will take place at the County Museum in Ennis from 12th September to 1st October 2011. Further information will be available at the exhibition.
The Guild wishes to thank Clare Co Council Arts Office for its support in this venture.
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