Thursday, 9 February 2012

Graphic Design Practice

Graphics Project

Promote a new local Art Group by producing a design for a flyer

 Step 1 – Write a brief

 Brainstorm – what kind of an art group are they?
Brainstrom
Step 2 – Understanding and knowing the client



Client

A local Art group run and managed by local youth (age: 15 – 21 years) want to develop a design for a flyer to be distributed to local youth in second level schools in the area, the flyer must also appeal to 3rd level Art students and other students interested in visual arts and local students at other third level education centres.

The group are holding an open day and want to encourage, as many local youth as possible to visit their centre and take part in various visual art workshops they will be holding throughout the day and visiting contemporary artists.

Date: Saturday 21st January 2012

Venue: Limerick Arts Centre, Edward Street, Limerick City

Time: 10.00am to 5.00pm


Back ground Information on the Art Group

The group formed 6 months ago and have had little press coverage, their name is unknown in the Limerick area. They are currently developing their marketing strategy to promote the centre and encourage more youth to get involved. Currently the centre is open two evenings a week and all day Saturday and Sunday. They acquired funding from the Department of Social and Rural Affairs to set up the group and buy equipment. The group supports the development of personal and group expression through visual arts. They provide space, IT and digital equipment, various art materials, an exhibition space, visiting artists, support and training.

The group is energetic, vibrant, enthusiastic, young, and experiential.


Step 3 – Who is the target audience

Target Audience

Young people between the ages of 15 – 21 years in the limerick area

Step 4 – Design specifications

Design specifications

Design style: contemporary, interesting and energetic, appropriate for age group, to include all relevant text

Size: Between A4 – A6 (Graphic designer to decide)

Colour: (Graphic designer to decide)

Amount: 5000, to cover all secondary schools, colleges and universities in the Limerick area

Paper type: Glossy, matt, recycled, OTHER: (Graphic designer to decide)

Paper weight:  (Graphic designer to decide)

Printing: (Graphic designer to decide)

Distribution: Hand delivered

Budget: €500; Printing costs to be kept to a minimum, Design costs charged at €50.00 per hour, average time to design a flyer 5 hours.

Step 5 – Descriptive words associated with the group

Individual
Young – youthful
Expressing themselves through art
Energetic
Focussed
Dynamic
Creative

 Step 6 – Image and text research

Research

Contemporary web sites, blogs, youth groups, art groups around the world





















Step 7

Ideas
















 
















Idea 1 – Pic

Idea was to print on readymade text – chosen carefully – text from dictionary

Art – definition

Contemporary – definition

Design – definition

Graphic - definition



Stencil cut and glued to page

Text onto the stencil

Problems:

·        Stencilling not satisfied with the shape and line of the flower

·        Text – need to think about what message I want to get across to the public

·        I don’t think it represents the activities of a contemporary young art group

·        The background text has no meaning and does not convey a message



Experimental sheet

Use materials that have designed for another purpose as the canvas to design on to, incorporating the design into the finished flyer. Using readymade playing cards for a base, they are cheap and can be printed on to both individually and  on mass.

I wanted to create a layered design, to a give the viewer the sense of having to peel of the layers to discover the design, combined with geometric shapes.



I didn’t feel this created an exciting, new, energetic or contemporary design – so back to the drawing board.


Experimented with different types of geometric shapes & pattern

 

Idea 2 - Word search – combined squares and letters and can be cut easily with a knife


 




Graffiti image found in Limerick – use as back ground



 Idea 3 – Collage with stencilling

Collage of images from Time magazines, word search stencil layered over the top of the collage includes the details of the flyer – time, place, event, name of art group

Collage images were restricted to either hand drawn illustrations, original art works, or contemporary images.

Description of process:

Card as the base, images selected from magazines, cut out the images carefully, and stuck them to the card, being mindful of where the gaps in the stencil were. Stencil – printed images using the computer, carefully cutting out the blank spaces, glued the stencil to the collage, scanned and printed on to photographic paper.

 Flyer 1
Flyer 1
 Flyer 2



 Images of studio and process






Text – Font style – searched for fonts to fit in with design

Stencil Font


 Finished design


Finished Design

Studio work by fellow students

The black paper stencil on yellow card is used to great effect in this sign. The designer has also incorporated humour, movement and teaching into his design

The choice of black and yellow to draw attention to a campaign is striking

I like the patchwork effect, the clever use of stitching, pattern, shape, and text combined


The composition, use of coloured paper - yellow receding and blue standing out from the page are very effective. The rolled up paper and the 3D effect created gives an extra and exciting dimension to the work


I like the creative idea of using a 2D/ 3D mobile to explore the idea of  art appreciation, it breaks with tradition and creates a visually pleasing and interesting platform to launch a series of books from on art appreciation


The stunning book covers that show a level of expertise and professionalism that I aspire to.
.

I like the simplicity and variety of book covers displayed, the designs would suit printmaking either lino print or a woodcut








Sunday, 27 November 2011

Discovering, creating, tinkering

        BRI COLAGE

Brief
Bricolage – Inventing small-scale prototypes
Using two and three-dimensional drawings as a working process for conceiving of and making sculpture using bricolage as a way of working.





Ideas:
 
found manikin 1950's
I was going to use an object I had found many years ago and always wanted to manipulate and change it from its original use. Unfortunately, the ready-made manikin was too large and Maria suggested I make a prototype of it in paper or wire. I also brought in some work I had done in 1988 and put them up on the wall, which started to guide my work unconsciously at first but then the movement in the prints and the binding action of the paper, straws, cotton and wire started to take shape and the original work was my inspiration.

At the same time I researched anatomy and physiology and grappled with the idea of internal movement, the hidden, expressed in the use of red and blue (red for blood vessels and blue representing veins)



 The original image is full of emotions, hidden meanings, and opposites like fragility / strength, dominance / subservience, movement /stillness, solid / transparent.

Discovering
In the skip outside of ceramics was an old printer, I took the printer cable and discovered an array of multi-coloured wires, I was very excited by this discovery and went to our local recycling centre that evening. I found a huge variety of cables from domestic appliances, computers etc… went home and stripped each wire to reveal the colour, texture, size, shape; it was like the feeling you get at Christmas when you unwrap a present and discover the contents – sometimes it was disappointing but sometimes it was euphoric!

 Experimenting & Process
The experimentation and process go hand in hand, the use of materials and choices are intuitive.  





Finished
 Research
My research for artists who's working method is Bricolage has taken me down lots of different avenues:
Dustin Yellin
Background


Yellin’s artworks are based on an accumulative process of painting and collaging on multiple layers of glass, creating three-dimensional forms. Yellin began this accumulative process on layers of resin and has transitioned to laminated glass in his more recent works. He uses found objects, images from a wide range of printed material and photorealistic painting to create fantastic scenes and images. Yellin's exploration of how we move within a mental environment of shifting depths is reminiscent of Deleuze’s A Thousand Plateaus and Robert Rauschenberg's combines. His paintings and collages use a method of representing three-dimensional forms that is similar to both lenticular images and rapid prototyping. The technique approximates a static volumetric display and is autostereoscopic. His artworks appear three dimensional without the use of special glasses or viewing equipment. Yellin is currently researching and developing methods of three-dimensional photography and expanding the breadth of his collages and paintings.
http://en.wikipedia.org/wiki/Dustin_Yellin





 
Why have I chosen this artist?

 An obvious connection would be the human form displaying the body from the inside out, with an added twist of containing, preserving the image in glass. He creates the illusion of 3D when in fact they are 2D. They show a high level of technical competency and a creative mind, pushing conventional boundaries and methods.  
Infact, I found most of the artists working with found objects through the mediums of fine art, music, video, to be very exciting and interesting, playfull, experiemental, creative and inspiring.

 Bricolage Artists
 Virginia Fitzgerald
Egg shell dress

Mandarin dress

Robert Rauschenberg, American Artist






Mr. Rauschenberg’s work gave new meaning to sculpture. “Monogram” was a stuffed goat girdled by a tire atop a painted panel. No American artist, Jasper Johns once said, invented more than
Mr. Rauschenberg. “Beauty is now underfoot wherever we take the trouble to look.”
The process — an improvisatory, counterintuitive way of doing things — was always what mattered most to him. “Screwing things up is a virtue,” he said when he was 74. “Being correct is never the point.
 This attitude also inclined him, as the painter Jack Tworkov once said, “to see beyond what others have decided should be the limits of art.”
Kazuhiko "Palla" Kawahara 



Japanese architect and photographer Kazuhiko Kawahara digitally manipulates images of buildings and the urban built environment. His compositions have a kaleidoscope quality that re-imagines forms and sight lines. These photographs often turn the everyday into something exceptional

 Examples of music and video Bricolage:
Afrika Bambaataa Music – DJ’s and sampling old records - the most important and creative DJ and sampler was Afrika Bambaataa. His anthem "Planet Rock" is based on Kraftwerk's "Trans-Europe Express." The song "Planet Rock" has gone on to be a hugely sampled track.

Amon Tobin - One contemporary musician who works with both sound collage and hip-hop style sampling is Amon Tobin. His first record, which was actually titled Bricolage, blended bossa nova, jazz, drum n bass and electronic styles for what became a completely new hybrid, electronic sound.

Negativland - Another important collective who test the boundaries of sampling, sound collage, visual appropriation and copy right law is Negativland

Clemens Kogler – film maker and  Chris Clark musician produced  - "Herr Barr" by musician Clark demonstrates bricolage across media. All of the images are collage treatments built from cut-outs of photographs of human body parts (the filmmaker, Clemens Kogler, scanned the body parts, then reassembled them). Clark's music blends elements from drum and bass, techno, ambient and hip-hop.

Found image unknown artist


Sculpture


               BRI  COLAGE

Check out my new bricolage music videos

I have been doing some research on Bricolage and found a variety of art forms using Bricolage as a   way of working. I have some music & video examples by Clark - Herr Barr from "Body Riddle" Album and Negativeland ( an important collective who test the boundaries of sampling, sound collage, visual appropriation and copy right law).

Bricolage in music often takes the form of sound collage, as well as sampling. The video for "Herr Barr" demonstrates bricolage across media. All of the images are collage treatments built from cut-outs of photographs of human body parts (the filmmaker, Clemens Kogler, scanned the body parts, then reassembled them). Clark's music blends elements from drum and bass, techno, ambient and hip-hop.